
Can I create a LUT that can shift the color science of older legacy cameras* to that of an Arri Alexa without it being too destructive?
Can I incorporate a 2383 Film Print Emulation into such a LUT?
After a good few months of intensive work, testing, testing and then testing some more, the

There is no "market research" here to warrant the creation of these LUTs. Only a sense that there are filmmakers out there who might appreciate a little "upgrade" to their beloved cameras.
There might be newbie filmmakers out there just starting on their filmmaking journey and either have access to these cameras or are capable of purchasing one.
Bulent Ozdemir
Developer of ACE & Blackmagic LUTs byBoz™️


Remember Super 8? No, not the same Ol' yawn fest you hear from directors talking about their dad's Super 8 camera. No. The movie Super 8 by J.J. Abrams. The one scene where Charles exclaims:
Well, the hope is that the same sentiment will be felt by those who pick up one of these LUTs for their legacy camera :)

Natural Rec709 and 2383 FPE LUTs developed specifically for the Blackmagic Cinema, Pocket 4K, 6K Pro, Ursa & 12K Cameras.
Soft highlight roll off, preserved shadow detail, custom film curve, balanced saturation, organic colors, neutral image.
Blackmagic Pocket Cinema, BMPCC, 4K, 6K, Pro, BMCC, BMMCC, Ursa Mini, G2, 12K.
DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro X & More.